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Storia Digitale
Contenuti Online per la Storia

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Historypin

Historypin "Historypin is a way for millions of people to come together, from across different generations, cultures and places, to share small glimpses of the past and to build up the huge story of human history.

Everyone has history to share: whether its sitting in yellowed albums in the attic, collected in piles of crackly tapes, conserved in the 1000s of archives all over the world or passed down in memories and old stories.

The Memory Project - Stories of the Second World War

The memory project
This nationwide bilingual project will create a record of Canada’s participation in the Second World War as seen through the eyes of thousands of veterans. The Memory Project will provide every living Second World War veteran with the opportunity to share their memories through oral interviews and digitized artefacts and memorabilia. These stories and artefacts will be available on this site for teachers, students and the general public.

DOCUMERICA

Documerica was a program sponsored by the Environmental Protection Agency to photographically document subjects of environmental concern in America during the 1970s. The images were made by approximately 70 well-known photographers contracted by the EPA for this project. Photographers included Danny Lyon, Gene Daniels, Marc St. Gill, Bill Strode, Charles O'Rear, Jack Corn, Tomas Sennett, Yoichi Okamote, and Ken Hayman.

Spanish Civil War Collection

Spanish civil war digital collectionThe Spanish Civil War digital collections è un progetto dell’University of California di San Diego di digitalizzazione della “Southworth Spanish Civil War Collection”, una sezione della più ampia “Mandeville Special Collections Library".

The Creation of Color in Eighteenth-Century Europe

the creation of color "Seldom does any monograph attempt to be comparative, in this case to cross the Channel and to say new and interesting things about the scientific culture found in both England and France. By using color, as a practice as well as a branch of optical theory, the author manages to weave material culture along with abstract science—again an integration seldom found in a first work."

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